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Sometimes, though, it tends to be a movie about his therapist, Sean Maguire. Presumably, the protagonist is Will Hunting, a 20-year-old disenfranchised genius. So it’s doubtful this script reflects personal demons, but perhaps is based on people Damon knows. Is Damon himself a closet genius? He went to the public school Cambridge Rindge & Latin, got into Harvard, studied English for a year or so, then dropped out once Hollywood noticed him.
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(We’ll get to how it won an Oscar a bit later.) Skeptics questioned whether the two could’ve written such an engaging movie so early in their careers, but in fact the script is flawed and probably has the feel of an amateur. The script was famously penned by Damon and Affleck, who readily admit they received guidance during the process. The filmmakers were either so self-conscious of this angle - or just wanted to keep everyone hanging for as long as possible - that they didn’t even give Will the opportunity to say “thanks,” merely having Sean cut him off with “You’re welcome.” But the cheeriness and brightness of most of the scenes suggest early on, they’re going to get to Will Hunting, one way or another. Strictly on the facts, one has to wonder if Will truly wants the intervention he is receiving. That is a powerful theme, used to devastating effect in films such as “Leaving Las Vegas” and “Taxi Driver.” Matt Damon and Ben Affleck are happier than that. It does not realize how much it flirts with the “person who doesn’t want to be helped” scenario. And it’s for those who believe they are academic underachievers. It is about society’s inclination to push people who maybe aren’t ready to be pushed. “Good Will Hunting” feels like instant therapy.
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What happens to Will Hunting is no exception. Psychology stories tend to rely on more unconventional therapy and analysis, the outcome is usually the opposite of what would happen in real life, and we are OK with that, because this is a movie, and it entertains. People with physical problems in movies tend to die (“Pride of the Yankees,” “Brian’s Song”) while those with psychological deficiencies are eminently improvable (“The Snake Pit,” “Rain Man,” etc.). Psychology seems to allow for the most positive rehabilitative stories. “Ordinary People” won some Oscars “The Prince of Tides” and “Regarding Henry” were popular and are good movies. Therapist movies tend to be well-received.